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EDGAR ALLAN POE (180949) was born in Boston, the child of actors who died while we was very young. He was adopted by a Virginian gentleman, Mr. John Allan, who put him to school in England for five years, then in Richmond, and finally sent him to the University of Virginia. He remained there only a short time, and after finding that he dislike business, and publishing a volume of poems, he enlisted in the army. Mr. Allan had him discharged and placed him in West Point, from which he got himself dismissed. After that he supported himself in a hand-to-mouth fashion by writing for and editing newspapers and periodicals, living successively in Baltimore, Richmond, Philadelphia, and New York. The publication of his remarkable poem, The Raven, in 1845, brought him fame, and for a short time he was a literary lion. But in 1847 his wife died, and his two remaining years were a gradual descent. 1 Poes work falls into three divisions: poems, tales, and criticism. The poems are chiefly remarkable for the amazing technical skill with which haunting rhythms and studied successions of vowel and consonant sounds are made to suggest atmospheres and emotional moods, with a minimum of thought. In the writing of fiction, Poe is the great master of the weird tale, no writer having surpassed him in the power of shaking the readers nerves with suggestions of the supernatural and the horrible. In these stories, as in the poems, he shows an extraordinary sense of form, and his effects are produced not merely by the violently sensational, but by carefully calculated attacks upon the readers imaginative sensibilities. 2 In criticism Poe was, if not a scholarly, at least a stimulating and suggestive, writer, with a fine ear and, within his range, keen insight. His essay on The Poetic Principle is his poetic confession of faith. He makes clear and defends his conception of poetry; a conception which excludes many great kinds of verse, but which, illuminated as it is by abundant examples of his favorite poems, throws light in turn upon some of the fundamental elements of poetry. 3 It is worth noting that no American author seems to have enjoyed so great a European vogue as Poe. 4
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Essays: English and American.The Harvard Classics. 190914. The Poetic Principle Edgar Allan Poe
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IN speaking of virginia historical and genealogical society Poetic Principle, I have no design to be either thorough or profound. While discussing, very much at random, virginia historical and genealogical society essentiality of what we call Poetry, my principal purpose will be to cite for consideration some few of those minor English or American poems which best suit my own taste, or which upon my own fancy have left virginia historical and genealogical society most definite impression. By minor poems I mean, of course, poems of little length. And here in virginia historical and genealogical society beginning permit me to say a few words in regard to a somewhat peculiar principle, which, whether rightfully or wrongfully, has always had its influence in my own critical estimate of virginia historical and genealogical society poem. I hold that a long poem does not exist. I maintain that virginia historical and genealogical society phrase, a long poem, is simply a flat contradiction in terms. 1 I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating virginia historical and genealogical society soul. The value of virginia historical and genealogical society poem is in virginia historical and genealogical society ratio of this elevating excitement. But all excitements are, through a psychal necessity, transient. That degree of excitement which would entitle a poem to be so called at all, cannot be sustained throughout a composition of any great length. After virginia historical and genealogical society lapse of half an hour, at virginia historical and genealogical society very utmost, it flagsfailsa revulsion ensuesand then virginia historical and genealogical society poem is, in effect, and in fact, no longer such. 2 There are, no doubt, many who have found difficulty in reconciling virginia historical and genealogical society critical dictum that virginia historical and genealogical society Paradise Lost is to be devoutly admired throughout, with virginia historical and genealogical society absolute impossibility of maintaining for it, during perusal, virginia historical and genealogical society amount of enthusiasm which that critical dictum would demand. The great work, in fact, is to be regarded as poetical, only when, losing sight of that vital requisite in all works of Art, Unity, we view it merely as a series of minor poems. If, to preserve its Unityits totality of effect or impressionwe read it (as would be necessary) at a single sitting, virginia historical and genealogical society result is but a constant alternation of excitement and depression. After a passage of what we feel to be true poetry, there follows, inevitably, a passage of platitude which no critical prejudgment can force us to admire; but if, upon completing virginia historical and genealogical society work, we read it again, omitting virginia historical and genealogical society first book (that is to say, commencing with virginia historical and genealogical society second), we shall be surprised at now finding that admirable which we before condemnedthat damnable which we had previously so much admired. It follows from all this that virginia historical and genealogical society ultimate, aggregate, or absolute effect of even virginia historical and genealogical society best epic under virginia historical and genealogical society sun is a nullity;and this is precisely virginia historical and genealogical society fact. 3 In regard to virginia historical and genealogical society Iliad, we have, if not positive proof, at least very good reason for believing it intended as a series of lyrics; but, granting virginia historical and genealogical society epic intention, I can say only that virginia historical and genealogical society work is based in an imperfect sense of art. The modern epic is, of virginia historical and genealogical society supposititious ancient model, but an inconsiderate and blindfold imitation. But virginia historical and genealogical society day of these artistic anomalies is over. If, at any time, any very long poems were popular in realitywhich I doubtit is at least clear that no very long poem will ever be popular again. 4 That virginia historical and genealogical society extent of a poetical work is, ceteris paribus, virginia historical and genealogical society measure of its merit, seems undoubtedly, when we thus state it, a proposition sufficiently absurdyet we are indebted for it to virginia historical and genealogical society Quarterly Reviews. Surely there can be nothing in mere size, abstractly consideredthere can be nothing in mere bulk, so far as a volume is concerned which has so continuously elicited admiration from these saturnine pamphlets! A mountain, to be sure, by virginia historical and genealogical society mere sentiment of physical magnitude which it conveys, does impress us with a sense of virginia historical and genealogical society sublimebut no man is impressed after this fashion by virginia historical and genealogical society material grandeur of even The Columbiad. Even virginia historical and genealogical society Quarterlies have not instructed us to be so impressed by it. As yet, they have not insisted on our estimating Lamartine by virginia historical and genealogical society cubic foot, or Pollok by virginia historical and genealogical society poundbut what else are we to infer from their continual prating about sustained effort? If, by sustained effort, any little gentleman has accomplished an epic, let us frankly commend him for virginia historical and genealogical society effort,if this indeed be a thing commendable,but let us forbear praising virginia historical and genealogical society epic on virginia historical and genealogical society efforts account. It is to be hoped that common sense, in virginia historical and genealogical society time to come, will prefer deciding upon a work of Art, rather by virginia historical and genealogical society impression it makesby virginia historical and genealogical society effect it producesthan by virginia historical and genealogical society time it took to impress virginia historical and genealogical society effect, or by virginia historical and genealogical society amount of sustained effort which had been found necessary in effecting virginia historical and genealogical society impression. The fact is, that perseverance is one thing and genius quite another; nor can all virginia historical and genealogical society Quarterlies in Christendom confound them. By and by, this proposition, with many which I have been just urging, will be received as self-evident. In virginia historical and genealogical society mean time, by being generally condemned as falsities, they will not be essentially damaged as truths. 5 On virginia historical and genealogical society other hand, it is clear that a poem may be improperly brief. Undue brevity degenerates into mere epigrammatism. A very short poem, while now and then producing a brilliant or vivid, never produces a profound or enduring, effect. There must be virginia historical and genealogical society steady pressing down of virginia historical and genealogical society stamp upon virginia historical and genealogical society wax. Beranger has wrought innumerable things, pungent and spirit-stirring; but, in general, they have been too imponderous to stamp themselves deeply into virginia historical and genealogical society public opinion, and thus, as so many feathers of fancy, have been blown aloft only to be whistled down virginia historical and genealogical society wind. 6 A remarkable instance of virginia historical and genealogical society effect of undue brevity in depressing a poemin keeping it out of virginia historical and genealogical society popular viewis afforded by virginia historical and genealogical society following exquisite little serenade: I arise from dreams of thee In virginia historical and genealogical society first sweet sleep of night,When virginia historical and genealogical society winds are breathing low, And virginia historical and genealogical society stars are shining bright;I arise from dreams of thee, And a spirit in my feetHath led mewho knows how? To thy chamber-window, sweet! The wandering airs they faint On virginia historical and genealogical society dark, virginia historical and genealogical society silent stream;And virginia historical and genealogical society champak odors fail Like sweet thoughts in a dream;The nightingales complaint, It dies upon her heart,As I must on thine, Oh, beloved as thou art! Oh, lift me from virginia historical and genealogical society grass! I die! I faint! I fail!Let thy love in kisses rain On my lips and eyelids pale.My cheek is cold and white, alas! My heart beats loud and fast;Oh! press it to thine own again, Where it will break at last! 7 Very few, perhaps, are familiar with these linesyet no less a poet than Shelley is their author. There warm, yet delicate and ethereal imagination will be appreciated by all; but by none so thoroughly as by him who has himself arisen from sweet dreams of one beloved to bathe in virginia historical and genealogical society aromatic air of a southern midsummer night. 8 One of virginia historical and genealogical society finest poems by Willisthe very best, in my opinion, which he has ever writtenhas, no doubt, through this same defect of undue brevity, been kept back from its proper position, not less in virginia historical and genealogical society critical than in virginia historical and genealogical society popular view. The shadows lay along Broadway, Twas near virginia historical and genealogical society twilight-tideAnd slowly there a lady fair Was walking in her pride.Alone walked she; but, viewlessly, Walked spirits at her side. Peace charmed virginia historical and genealogical society street beneath her feet, And Honor charmed virginia historical and genealogical society air;And all astir looked kind on her, And called her good as fair;For all God ever gave to her She kept with chary care. She kept with care her beauties rare From lovers warm and true,For her heart was cold to all but gold, And virginia historical and genealogical society rich came not to woo,But honored well are charms to sell If priests virginia historical and genealogical society selling do. Now walking there was one more fair A slight girl, lily-pale;And she had unseen company To make virginia historical and genealogical society spirit quail:Twixt Want and Scorn she walked forlorn, And nothing could avail. No mercy now can clear her brow For this worlds peace to pray;For, as loves wild prayer dissolved in air, Her womans heart gave way!But virginia historical and genealogical society sin forgiven by Christ in Heaven By man is cursed always! 9 In this composition we find it difficult to recognize virginia historical and genealogical society Willis who has written so many mere verses of society. The lines are not only richly ideal, but full of energy, while they breathe an earnestnessan evident sincerity of sentimentfor which we look in vain throughout all virginia historical and genealogical society other works of this author. 10 While virginia historical and genealogical society epic maniawhile virginia historical and genealogical society idea that, to merit in poetry, prolixity is indispensablehas, for some years past, been gradually dying out of virginia historical and genealogical society public mind by mere dint of its own absurditywe find it succeeded by a heresy too palpably false to be long tolerated, but one which, in virginia historical and genealogical society brief period it has already endured, may be said to have accomplished more in virginia historical and genealogical society corruption of our Poetical Literature than all its other enemies combined. I allude to virginia historical and genealogical society heresy of The Didactic. It has been assumed, tacitly and avowedly, directly and indirectly, that virginia historical and genealogical society ultimate object of all Poetry is Truth. Every poem, it is said, should inculcate a moral; and by this moral is virginia historical and genealogical society poetical merit of virginia historical and genealogical society work to be adjudged. We Americans, especially, have patronized this happy idea; and we Bostonians, very especially have developed it in full. We have taken it into our heads that to write a poem simply for virginia historical and genealogical society poems sake, and to acknowledge such to have been our design, would be to confess ourselves radically wanting in virginia historical and genealogical society true Poetic dignity and force; but virginia historical and genealogical society simple fact is, that, would we but permit ourselves to look into our own souls, we should immediately there discover that under virginia historical and genealogical society sun there neither exists nor can exist any work more thoroughly dignified, more supremely noble, than this very poemthis poem per sethis poem which is a poem and nothing morethis poem written solely for virginia historical and genealogical society poems sake. 11 With as deep a reverence for virginia historical and genealogical society True as ever inspired virginia historical and genealogical society bosom of man, I would, nevertheless, limit in some measure its modes of inculcation. I would limit to enforce them. I would not enfeeble them by dissipation. The demands of Truth are severe; she has no sympathy with virginia historical and genealogical society myrtles. All that which is so indispensable in Song is precisely all that with which she has nothing whatever to do. It is but making her a flaun
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