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and Philebus. When the writer says (Stob. Eclog.) that all things are
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either finite (definite) or infinite (indefinite), or a union of the two,
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and that this antithesis and synthesis pervades all art and nature, we are
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reminded of the Philebus. When he calls the centre of the world (Greek),
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we have a parallel to the Phaedrus. His distinction between the world of
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order, to which the sun and moon and the stars belong, and the world of
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disorder, which lies in the region between the moon and the earth,
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approximates to Plato's sphere of the Same and of the Other. Like Plato
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(Tim.), he denied the above and below in space, and said that all things
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were the same in relation to a centre. He speaks also of the world as one
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and indestructible: 'for neither from within nor from without does it
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admit of destruction' (Tim). He mentions ten heavenly bodies, including
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the sun and moon, the earth and the counter-earth (Greek), and in the midst
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of them all he places the central fire, around which they are moving--this
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is hidden from the earth by the counter-earth. Of neither is there any
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trace in Plato, who makes the earth the centre of his system. Philolaus
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magnifies the virtues of particular numbers, especially of the number 10
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(Stob. Eclog.), and descants upon odd and even numbers, after the manner of
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the later Pythagoreans. It is worthy of remark that these mystical fancies
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are nowhere to be found in the writings of Plato, although the importance
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of number as a form and also an instrument of thought is ever present to
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his mind. Both Philolaus and Plato agree in making the world move in
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certain numerical ratios according to a musical scale: though Bockh is of
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opinion that the two scales, of Philolaus and of the Timaeus, do not
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correspond...We appear not to be sufficiently acquainted with the early
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Pythagoreans to know how far the statements contained in these fragments
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corresponded with their doctrines; and we therefore cannot pronounce,
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either in favour of the genuineness of the fragments, with Bockh and
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Zeller, or, with Valentine Rose and Schaarschmidt, against them. But it is
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clear that they throw but little light upon the Timaeus, and that their
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resemblance to it has been exaggerated.
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That there is a degree of confusion and indistinctness in Plato's account
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both of man and of the universe has been already acknowledged. We cannot
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tell (nor could Plato himself have told) where the figure or myth ends and
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the philosophical truth begins; we cannot explain (nor could Plato himself
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have explained to us) the relation of the ideas to appearance, of which one
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is the copy of the other, and yet of all things in the world they are the
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most opposed and unlike. This opposition is presented to us in many forms,
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as the antithesis of the one and many, of the finite and infinite, of the
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intelligible and sensible, of the unchangeable and the changing, of the
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indivisible and the divisible, of the fixed stars and the planets, of the
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creative mind and the primeval chaos. These pairs of opposites are so many
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aspects of the great opposition between ideas and phenomena--they easily
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pass into one another; and sometimes the two members of the relation differ
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in kind, sometimes only in degree. As in Aristotle's matter and form the
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connexion between them is really inseparable; for if we attempt to separate
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them they become devoid of content and therefore indistinguishable; there
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is no difference between the idea of which nothing can be predicated, and
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the chaos or matter which has no perceptible qualities--between Being in
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the abstract and Nothing. Yet we are frequently told that the one class of
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them is the reality and the other appearance; and one is often spoken of as
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the double or reflection of the other. For Plato never clearly saw that
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both elements had an equal place in mind and in nature; and hence,
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especially when we argue from isolated passages in his writings, or attempt
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to draw what appear to us to be the natural inferences from them, we are
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full of perplexity. There is a similar confusion about necessity and free-
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will, and about the state of the soul after death. Also he sometimes
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supposes that God is immanent in the world, sometimes that he is
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transcendent. And having no distinction of objective and subjective, he
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passes imperceptibly from one to the other; from intelligence to soul, from
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eternity to time. These contradictions may be softened or concealed by a
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judicious use of language, but they cannot be wholly got rid of. That an
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age of intellectual transition must also be one of inconsistency; that the
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creative is opposed to the critical or defining habit of mind or time, has
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been often repeated by us. But, as Plato would say, 'there is no harm in
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repeating twice or thrice' (Laws) what is important for the understanding
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